Music Setup


One idea I like to fool around with is the concept that at some point I might develop some sort of musical talent for creating original compositions. In pursuit of this goal I have amassed a sizable amount of musical equipment such as the following:

MC303
Roland MC-303: a MC-303 groove-box. an odd synth, it was one of the first of the current trend towards dance oriented machines. It feels a little like some sort of Frankenstein to play with, on the inside it is a standard sample based synth engine, but piped through analog modeled filters and with stuff like sequencers and arpeggiators and phrases and random buzzwords thrown in. It was almost as if Roland was not quite sure what people wanted but knew that they were unhappy with current offerings so they added everything they could hoping to hit upon something good. This makes for an interesting interface and a lot of unrealized potential. It does have a rather strong percussion sample bank and its filters and effects are pretty nice, you can get some cool sounds by tweaking it but you will have to look further than the simple resonance and cutoff knobs which seem to be quite over-hyped.

CZ-101
Casio CZ101: A Casio CZ-101 synth. an older synth but so nice sounding. Casio has been known for putting out cheap consumer products (at least in the synth market) but actually created a quality line of unique synthesizers with their CZ models. Casio also pioneered phase distortion synthesis which is similar to FM-style digital synthesis but much easier to program and not as far removed from analog subtractive syntheses as pure FM, it can sound a lot like these new virtual analog synths that are coming out but at a fraction of the price. One of the unique features is the unprecedented 8 stage envelope generators plus sustain! extremely useful for Pads which evolve over time which is where the CZ shines. also has a lot of good FM type noises but for short sounds which don't take advantage of the amazing envelopes the CZ doesn't have nearly as much sonic freedom as a DX7 so many patches can sound similar. of course the CZ series does have its quirks, the main one being the odd MIDI implementation which uses two way handshaking protocols making it not always play nice with other gear. For more info on the CZ's and some patches you can go to The Temple of CZ.

Yamaha DX7
Yamaha DX7: What can I say? its a classic. For more info on the DX7 go to this dx7 page.

Korg ER1
Korg ER1: The Korg electribe is everything I wanted out of the MC-303 and didn't get. it really is a wonderful machine. The design is really something I would like to see more, do one thing and do it very well and don't complicate the interface. It sounds really sweet too. Although it is sold as an 'analog modeling synth' (which it does well) I think they really hit on something more. the nice thing about analogs is not the sound but the interface, the programability. they didn't just slap a bunch of knobs and a few filters on a standard synth interface but designed the entire thing around realtime control and composition.

Yamaha QY-22
Yamaha QY22: A very surprisingly useful piece of equipment. I originally bought this secondhand to use as a simple sequencer but it ended up being one of my most used pieces of equipment. The reason being is that it is darn convenient, this is a sequencer and General MIDI tone generator in a single battery-powered portable box. Although the sounds are not great (plain old GM, comparable to a decent wavetable computer soundcard) the convenience more than makes up for it, I can sequence up something interesting laying in bed and then simply play it through my DX7 or CZ for the final sounds. where my other equipment is conducive to timbre and effect exploration I find the QY22 is just as inspiring for harmonic and melodic experimentation. if Yamaha is reading this, make a QY0 style form factor and just add velocity sensitive pads and a couple DX7 fm-style tone generators with a nice on-screen editor and a single data slide and you would have an AWESOME tool, I know the DSP can handle it (FM is dirt-cheap DSP-wise today) and a slider and velocipads would only add a couple bucks to the price and it would truly make the QY a truly powerful composition tool.

Korg SQD-8
Korg SQD-8: The Korg SQD-8 is a simple 8-track sequencer that does everything you would expect from a sequencer and works rather well. it is simple to use, just like a tape recorder and saves stuff to disks, quite convenient when away from the computer. I usually hook it up to my DX7 or CZ101 to give them basic sequencing capability.

Yamaha FS1R
Yamaha fs1r: this thing rocks. will write a more in depth review later.


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